New Books List

A survey of the empowering poetry of politically active women in El Salvador, South Africa, and the United States.

"This major new work by Fredric Jameson is not a book about 'method,' but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context"--

Hard Damage works to relentlessly interrogate the self and its shortcomings. In lyric and documentary poems and essayistic fragments, Aria Aber explores the historical and personal implications of Afghan American relations. Drawing on material dating back to the 1950s, she considers the consequences of these relations-in particular the funding of the Afghan mujahedeen, which led to the Taliban and modern-day Islamic terrorism-for her family and the world at large. Invested in and suspicious of the pain of family and the shame of selfhood, the speakers of these richly evocative and musical poems mourn the magnitude of citizenship as a state of place and a state of mind. While Hard Damage is framed by free-verse poetry, the middle sections comprise a lyric essay in fragments and a long documentary poem. Aber explores Rilke in the original German, the urban melancholia of city life, inherited trauma, and displacement on both linguistic and environmental levels, while employing surrealist and eerily domestic imagery.

On a River’s Bank is a story of ordinary people through an extraordinary narrative. In what must be a rare and sensitive portrayal of an ugly female character, the author underlines that violation of the river leaves it ugly and invites retribution despite worship. Published originally in 1974 in Tamil, Punalum Manalum is a path-breaking novel raising the issue of environmental degradation through over-exploitation, long before this became a topic of discussion in India. An early example of what is now known as ‘Eco fiction’.

n the Tokyo suburbs four women work the graveyard shift at a factory. Burdened with heavy debts, alienated from husbands and children, they all secretly dream of a way out of their dead-end lives. A young mother among them finally cracks and strangles her philandering, gambling husband. She confesses her crime to her colleagues and unexpectedly, they agree to help. But then the dismembered body parts are discovered, the police start asking questions and more dangerous enemies begin to close in. OUT is a psychologically taut and unflinching foray into the darkest recesses of the human soul, an unsettling reminder that the desperate desire for freedom can make the most ordinary person do the unimaginable

While news reports about Pakistan tend to cover Taliban attacks and bombings, and academics focus on security issues, the environment often takes a backseat in media reportage and scholarship. In particular, Pakistani women's attachment to their environment and their environmental concerns are almost always ignored. Shazia Rahman traces the ways in which Pakistani women explore alternative, environmental modes of belonging, examines the vitality of place-based identities within Pakistani culture, and thereby contributes to evolving understandings of Pakistani women-in relation to both their environment and to various discourses of nation and patriarchy. Through an astute analysis of such works as Sabiha Sumar's Khamosh Pani (2003), Mehreen Jabbar's Ramchand Pakistani (2008), Sorayya Khan's Noor (2006), Uzma Aslam Khan's Trespassing (2003), and Kamila Shamsie's Burnt Shadows (2009), Rahman illuminates how Pakistani women's creative works portray how people live with one another, deal with their environment, and intuit their relationship with the spiritual. She considers how literary and cinematic documentation of place-based identities simultaneously critiques and counters stereotypes of Pakistan as a country of religious nationalism and oppressive patriarchy. Rahman's analysis discloses fresh perspectives for thinking about the relationship between social and environmental justice.

'One cannot be said to be keeping abreast of contemporary literature without reading Houellebecq's work.' Karl Ove Knausgaard, New York Times Dissatisfied and discontent, Florent-Claude Labrouste begrudgingly works as an engineer for the Ministry of Agriculture, and is in a self-imposed dysfunctional relationship with a younger woman. When he discovers her ongoing infidelity, he decides to abandon his life in Paris and return to the Normandy countryside of his youth. There he contemplates lost loves and past happiness as he struggles to embed himself in a world that no longer holds any joy for him. His only relief comes in the form of a pill - white, oval, small. Captorix is a new brand of anti-depressant, recently released for public consumption, which works by altering the brain's release of serotonin. With social unrest intensifying around him, and his own depression deepening, Florent-Claude turns to this new medication in the hope that he will find something to live for. Written by one of the most provocative and prophetic novelists of his generation, Serotonin is at once a devastating story of solitude, longing and individual suffering, and a powerful criticism of modern life.

Shelley: The Pursuit is the book with which Richard Holmes--the finest literary biographer of our day--made his name. Dispensing with the long-established Victorian picture of Shelley as a blandly ethereal character, Holmes projects a startling image of "a darker and more earthly, crueler and more capable figure." Expelled from college, disowned by his aristocratic father, driven from England, Shelley led a life marked from its beginning to its early end by a violent rejection of society; he embraced rebellion and disgrace without thought of the cost to himself or to others. Here we have the real Shelley--radical agitator, atheist, apostle of free love, but above all a brilliant and uncompromising poetic innovator, whose life and work have proved an essential inspiration to poets as varied as W.B. Yeats and Allen Ginsberg.

Each week, Tom and Louise meet for a quick drink in the pub before they go to meet their marriage counsellor. Married for years and with two children, a recent incident has exposed the fault lines in their relationship in a way that Tom, for one, does not wish to think about. In the ten minutes in the pub they talk about the agenda for the session, what they talked about last week, what they will definitely not talk about with the counsellor, and how much better off they are than the couple whose counselling slot immediately precedes their own. Over the ten weeks that follow Tom and Louise begin to wonder: what if marriage is like a computer? When you take it apart to see how it works you might just be left with a million pieces you can't put back together . . .

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup: bringing an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDs epidemic grows around him. One by one, his friends are dying and after his friend Nico's funeral, he finds his partner is infected, and that he might even have the virus himself. The only person he has left is Fiona, Nico's little sister. Thirty years later, Fiona is in Paris tracking down her estranged daughter who disappeared into a cult. While staying with an old friend, a famous photographer who documented the Chicago epidemic, she finds herself finally grappling with the devastating ways the AIDS crisis affected her life and her relationship with her daughter. Yale and Fiona's stories unfold in incredibly moving and sometimes surprising ways, as both struggle to find goodness in the face of disaster.

The wait is over And so I step up, into the darkness within; or else the light. When the van door slammed on Offred’s future at the end of The Handmaid’s Tale, readers had no way of telling what lay ahead for her – freedom, prison or death. With The Testaments, the wait is over. Margaret Atwood’s sequel picks up the story 15 years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead. ‘Dear Readers: Everything you’ve ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we’ve been living in.’ Margaret Atwood

VOICES OF HISTORY celebrates the great speeches of world history and cultural life. In this exuberant collection, acclaimed historian Simon Sebag Montefiore takes us on a journey from ancient times to the twenty-first century: some speeches are heroic and inspiring; some diabolical and atrocious; some are exquisite and poignant; others cruel and chilling. The speakers themselves vary from empresses and conquerors to novelists, sportsmen, dreamers and killers, from Churchill and Elizabeth I to Stalin and Genghis Khan, and from Michelle Obama and Cleopatra to Nehru and Muhammad Ali. All human drama is here: from the carnage of battlefields to the theatre of courtrooms, from table-talk to audiences of millions, from desperate last stands to orations of triumph, from noble calls for liberation to genocidal rants, from foolish delusions and strange confessions to defiant resistance and heartbreaking farewells, VOICES OF HISTORY spans centuries, continents and cultures. In the accessible and gripping style of a master storyteller, Montefiore shows why these seventy speeches are essential reading, and how they enlighten our past, enrich our present and inspire - and hold warnings for - our future.

A Gandhi is killed, a Bose is forgotten and a Bhagat Singh no more pricks the conscience of the people who lead the country. This is the story of a nation that boasts of being the largest democracy. The novel undertakes tortuous journeys through the political minefield and discovers that moneybags, muscle power and criminal fringes have hijacked Indian democracy. Satya Sarthi is a psephologist and wants to bring about a change in the system. He tries to catapult his simple but sharp businessman friend Dharmi into the top corridors of politics. His aim is to dethrone the ruling family which is corrupt and manipulative. Dharmi's hesitant metamorphosis from a businessman into a naïve politician and finally into a pucca politician is full of pathos. Does he succeed in dethroning the family? Does he end up changing the system? Maloy Krishna Dhar captures the intrigues that are played in power politics in the name of We the people We the People of India The Story of Gangland Democracy is a reminder to Generations Next that they have to fulfill unfulfilled dreams of the savants of the nation.

'No one else casts such a shrewd and gimlet eye on contemporary life.' - William Boyd Comic, dark and insightful, What Happened? is Hanif Kureishi's new collection of essays and fiction. No topic is too fringe or too mainstream for this insatiable-and much-loved-author. From social media to the ancient classics, from appraisals of David Bowie to Georges Simenon to Keith Jarrett, this is the latest literary 'event' in a unique body of work that displays Kureishi's characteristic boundless curiosity and wit. What Happened? is as much about the very fact of Kureishi's catholic appetite for culture as his observations and insights themselves, and any new book in his oeuvre is a justification for celebration.